Final Cut Pro

Professional post-production

فقط لأجهزة Mac

‏299٫99 US$

الأعمار

⁧٤+‬
سنوات
الفئة

صور وفيديو
المطور

Apple
اللغة

DE
+ 6 إضافية
الحجم

5.7
غ.ب.

‏Mac

يجمع Final Cut Pro بين تعديل الفيديو المتطور والتنظيم الفعال للوسائط والأداء المدهش، كي تُبدع فورًا بمجرد أن تخطر الفكرة في بالك. تعديل الفيديو المتطور • يستخدم Magnetic Timeline بيانات تعريف متقدمة و Clip Connections للتعديل بشكل أسرع وأسهل • تستخدم ميزة Transcribe to Captions الذكاء الاصطناعي لإنشاء تعليقات مصاحبة في المخطط الزمني من خلال تحليل الصوت المنطوق • تقوم ميزة Magnetic Mask المدعومة بالذكاء الاصطناعي بتتبع الأشخاص والأشياء والأشكال وعزلها تلقائيًا في أي لقطات • تحويل المشاريع تلقائيًا للتسليم المربع أو الرأسي باستخدام Smart Conform التنظيم الفعال للوسائط • تنظيم العمل داخل المكتبات لإدارة الوسائط بكفاءة • تطبيق كلمات رئيسية مخصصة أو عناصر مفضلة سريعًا أثناء تحديد نطاقات المقاطع • تنظم لك Smart Collections المحتوى بشكل ديناميكي حتى يمكنك العثور على أي لقطة ببضع نقرات الأداء المدهش • سرعة وكفاءة لا مثيل لها مع تحسينات لأحدث جيل من رقاقات Apple • العمل بمجموعة كبيرة من التنسيقات، بما في ذلك ProRes و ProRes RAW و RED و XAVC و AVCHD و Avid DNxHR®‎ و Avid DNxHD®‎ و H.264 و HEVC والمزيد تأثيرات آسرة وقابلة للتخصيص • عناوين ثنائية الأبعاد وثلاثية الأبعاد تتحرك بشكل جميل ويمكن تخصيصها بسهولة • تغيير مظهر العناوين والانتقالات والتأثيرات باستخدام عناصر تحكم سهلة • الاختيار من نظام بيئي لمكونات FxPlug تابعة لجهات خارجية بواجهات مخصصة تعديل الصوت المندمج • تعيين القواعد أثناء الاستيراد لتتبع المشروع وتنظيمه بسهولة • توسيع ملفات الصوت متعددة القنوات وتعديلها في المخطط الزمني مباشرة • تطبيق المؤثرات الصوتية وتقليل الضوضاء في الخلفية لعزل المقاطع الغنائية باستخدام مكونات إضافية وتقنية فعالة من Logic Pro التدرج اللوني السهل •منحنيات وأقراص ألوان فعالة لإجراء تعديلات دقيقة باستخدام إدخال الخلفيات والقناعات • الضبط التلقائي للمقاطع لتتناسب مع المساحة اللونية HDR أو SDR • الاستفادة من لقطة فيديو بترميز ProRes RAW على iPhone 17 Pro أو أحدث للحصول على مزيد من المرونة في التدرج خطوة واحدة، إخراج محسن • تصدير بسرعة مدهشة للتشغيل على أجهزة Apple والتحميل على منصات مثل Instagram و YouTube • تصدير جذوع الصوت وإصدارات متعددة للفيديو الذي تم الانتهاء منه باستخدام بيانات تعريف القواعد • استيراد وتصدير XML لعمليات سير العمل التابعة لجهات خارجية مثل تدريج الألوان ومزج الأصوات متطلبات النظام: macOS 15.6 أو أحدث، ذاكرة بسعة ٨ غ.ب. (يوصى بسعة ١٦ غ.ب.)، بطاقة رسومات تدعم Metal (لأجهزة كمبيوتر Mac المزودة بمعالج Intel فقط)، توفر مساحة ٧٫٢ غ.ب. على القرص. تتطلب بعض الميزات أن يكون Mac مزودًا برقاقات Apple تتطلب بعض الميزات الوصول إلى الإنترنت، وقد تُفرض رسوم.

التقييمات والمراجعات

لم يحصل هذا التطبيق على تقييمات أو مراجعات كافية لعرض نظرة عامة.

Don’t beleive all the negativity, a remarkable NLE
10‏/07‏/2017

KBeat
When the revamped Final Cut Pro X first dropped, it upset many longtime users. There were legitimate issues at the time, with many features missing and an entirely new program to learn for editors that knew FCP like the back of their hands. Add to this the fact that Apple handled the update inelegantly, and it was quite the firestorm. However, that’s not Final Cut Pro X today.Today Final Cut Pro X is an outstanding NLE. I think it’s the best in the business. When it comes to Final Cut, and Apple in general, there is a lot of schadenfreude out there. It can be hard to filter out the legitimate complaints. Try FCPX and see for yourself that it is far, far from “iMovie for prosumers”. It’s a great program for prosumers who want more than iMovie can offer, no doubt, but it’s also a superb tool for pros. Just ask the many that rely on it daily to edit television and film projects.BTW: When you see a review that says “basically iMovie”, “very limited functionality”, or “not for professionals”, you can trust the reivewer either doesn’t know how to use the product (likely) or has an agenda in favor of Adobe (also likely). Given the number of commercials, documentaries, and feature films that have been edited using FCPX in just the last few months, it’s safe to say it’s neither iMovie or very limited. Just check with some of Hollywood’s best filmmakers to see if it’s “not for pros”.
Don’t beleive all the negativity, a remarkable NLE
10‏/07‏/2017

KBeat

When the revamped Final Cut Pro X first dropped, it upset many longtime users. There were legitimate issues at the time, with many features missing and an entirely new program to learn for editors that knew FCP like the back of their hands. Add to this the fact that Apple handled the update inelegantly, and it was quite the firestorm. However, that’s not Final Cut Pro X today.Today Final Cut Pro X is an outstanding NLE. I think it’s the best in the business. When it comes to Final Cut, and Apple in general, there is a lot of schadenfreude out there. It can be hard to filter out the legitimate complaints. Try FCPX and see for yourself that it is far, far from “iMovie for prosumers”. It’s a great program for prosumers who want more than iMovie can offer, no doubt, but it’s also a superb tool for pros. Just ask the many that rely on it daily to edit television and film projects.BTW: When you see a review that says “basically iMovie”, “very limited functionality”, or “not for professionals”, you can trust the reivewer either doesn’t know how to use the product (likely) or has an agenda in favor of Adobe (also likely). Given the number of commercials, documentaries, and feature films that have been edited using FCPX in just the last few months, it’s safe to say it’s neither iMovie or very limited. Just check with some of Hollywood’s best filmmakers to see if it’s “not for pros”.
Fastest NLE on the market, without sacrificing any quality
13‏/01‏/2023

F-Stop Fitzgerald
The less you know about editing, the easier to learn this software is. Those who have edited in track-based software for years and years will find this jarring. Some will outright dislike it at first. But they really need to power through the paradigm shift to reach the point where the speed is really felt. One month after switching from a track-based workflow to FCPX, I was shocked to find myself going home on-time for a change. I quickly noticed a 40% speed increase over track-based editors where everything you want to do is a deep dive down a rabbithole of sliders and checkboxes and dials. Most don't really matter to what you're doing. FCPX is intuitive. It does so much for you in the background, and, typical Apple, they've removed unnecessary options by doing them for you automatically, and exclusing ones that are irrelevant. In the early days, editors scorned FCPX because it wasn't fully-featured. Then they added all the features pros wanted over the next 2 years, and not only did they add them, they RE-IMAGINED them to work better and faster. Other NLEs have since copied many of them. If control is your ultimate goal, choose something else, like Premiere. If speed without any sacrifice in quality means anything to you, though, FCPX is your best bet. I don't mean to make it sound perfect. It isn't. But using it is like driving a sports car — way faster and more fun.
Fastest NLE on the market, without sacrificing any quality
13‏/01‏/2023

F-Stop Fitzgerald

The less you know about editing, the easier to learn this software is. Those who have edited in track-based software for years and years will find this jarring. Some will outright dislike it at first. But they really need to power through the paradigm shift to reach the point where the speed is really felt. One month after switching from a track-based workflow to FCPX, I was shocked to find myself going home on-time for a change. I quickly noticed a 40% speed increase over track-based editors where everything you want to do is a deep dive down a rabbithole of sliders and checkboxes and dials. Most don't really matter to what you're doing. FCPX is intuitive. It does so much for you in the background, and, typical Apple, they've removed unnecessary options by doing them for you automatically, and exclusing ones that are irrelevant. In the early days, editors scorned FCPX because it wasn't fully-featured. Then they added all the features pros wanted over the next 2 years, and not only did they add them, they RE-IMAGINED them to work better and faster. Other NLEs have since copied many of them. If control is your ultimate goal, choose something else, like Premiere. If speed without any sacrifice in quality means anything to you, though, FCPX is your best bet. I don't mean to make it sound perfect. It isn't. But using it is like driving a sports car — way faster and more fun.
One Frustrating Flaw
09‏/06‏/2025

Sgt7212
I am by no means an expert, but Final Cut Pro makes it easy to learn and edit videos. My one complaint is that even though I was sending events to the trash, it was not removing the data from my hard drive because I had not closed Final Cut Pro. Once I closed and restarted Final Cut Pro, it showed the space available on my hard drive again, but FCP would still not allow me to import media to my new projects because it said I didn’t have enough space on my drive, when I clearly did. After I restarted my MacBook Pro and called tech support because the situation was still not resolved, the tech support told me it was being caused by me copying files into a folder on my desktop from my microSD card instead of “properly” importing them using FCP. That answer made about as much sense to me as if when I went to withdraw money from the ATM it told me my tire pressure was low. In the end, I found I needed to “Delete Generated Library Files” and that finally resolved the issue. To me, it should be a lot simpler than jumping through all those flaming hoops like a circus bear. I don’t understand why it hangs onto those files and thinks there is no room on the hard drive, when the OS shows the space as available. Apparently it must not be too concerning to Apple though because I found multiple threads online as far back as 2019 discussing the same problems. Besides that, Final Cut Pro has worked well for me.
One Frustrating Flaw
09‏/06‏/2025

Sgt7212

I am by no means an expert, but Final Cut Pro makes it easy to learn and edit videos. My one complaint is that even though I was sending events to the trash, it was not removing the data from my hard drive because I had not closed Final Cut Pro. Once I closed and restarted Final Cut Pro, it showed the space available on my hard drive again, but FCP would still not allow me to import media to my new projects because it said I didn’t have enough space on my drive, when I clearly did. After I restarted my MacBook Pro and called tech support because the situation was still not resolved, the tech support told me it was being caused by me copying files into a folder on my desktop from my microSD card instead of “properly” importing them using FCP. That answer made about as much sense to me as if when I went to withdraw money from the ATM it told me my tire pressure was low. In the end, I found I needed to “Delete Generated Library Files” and that finally resolved the issue. To me, it should be a lot simpler than jumping through all those flaming hoops like a circus bear. I don’t understand why it hangs onto those files and thinks there is no room on the hard drive, when the OS shows the space as available. Apparently it must not be too concerning to Apple though because I found multiple threads online as far back as 2019 discussing the same problems. Besides that, Final Cut Pro has worked well for me.
Almost perfect.
02‏/10‏/2019

Zermosa
I started editing over 15 years ago using tape to tape and then made the switch to non-linear shortly after. I've used most all the professional software on the market. I was an Adobe Premiere user for about 5 years and before that FCP7. FCPX is so amazing. It's definetly a different editing experience, but wow. My editing sped up instantly once I got the gist of it. I increased my productivity, and editing became a joy once more after leaving Adobe behind. The people commenting giving it low ratings might have genuine issues, but I've had nothing but success using this software the last 5 years. I'm not sure why someone would rate their Beta software on here. As a beta tester, you're taking a risk that could reduce your productivity and obviously you will be faced with bugs. I use this every day. I chose an iMac 2017 and it's fast with FCPX. There are a few bugs, but have you tried Adobe on a Mac? One of the best things about this program, is if it crashes, you don't lose your progress. You pick up exactly where you left off. It does have Timecode capablility and if you want to work with it, you can. I think some negative comments I've seen are from people who either don't have the right computer setup to run it properly, or they do not educate themselves enough to find the features they are looking for. who cares if you can't post directly to Facebook. Export and upload it on the website. These low ratings are ridiculous. I look forward to using this program probably the rest of my carreer. It keeps getting better and I'm a happy camper.
Almost perfect.
02‏/10‏/2019

Zermosa

I started editing over 15 years ago using tape to tape and then made the switch to non-linear shortly after. I've used most all the professional software on the market. I was an Adobe Premiere user for about 5 years and before that FCP7. FCPX is so amazing. It's definetly a different editing experience, but wow. My editing sped up instantly once I got the gist of it. I increased my productivity, and editing became a joy once more after leaving Adobe behind. The people commenting giving it low ratings might have genuine issues, but I've had nothing but success using this software the last 5 years. I'm not sure why someone would rate their Beta software on here. As a beta tester, you're taking a risk that could reduce your productivity and obviously you will be faced with bugs. I use this every day. I chose an iMac 2017 and it's fast with FCPX. There are a few bugs, but have you tried Adobe on a Mac? One of the best things about this program, is if it crashes, you don't lose your progress. You pick up exactly where you left off. It does have Timecode capablility and if you want to work with it, you can. I think some negative comments I've seen are from people who either don't have the right computer setup to run it properly, or they do not educate themselves enough to find the features they are looking for. who cares if you can't post directly to Facebook. Export and upload it on the website. These low ratings are ridiculous. I look forward to using this program probably the rest of my carreer. It keeps getting better and I'm a happy camper.

ذكاء فعال • استخدام Transcript Search للعثور بسرعة على الكلمات أو العبارات المنطوقة في لقطاتك عن طريق البحث عن التطابقات التامة أو استخدام الأوصاف باللغة الطبيعية* • اكتشاف البحث المرئي، وهو طريقة سريعة وسهلة لتحديد مواقع اللحظات في لقطاتك، بما في ذلك الأشياء والحركات، باستخدام اللغة الطبيعية* • السماح لميزة اكتشاف الإيقاع بتحليل أي أغنية لكشف مقاطعها الإيقاعية وإيقاعاتها، مما يمكِّنك من مواءمة تعديلات الفيديو بسهولة مع إيقاع الموسيقى البدء السريع • التعمق في التعديل من خلال مشروع عرض توضيحي خاص يتضمن المغنية وكاتبة الأغاني الموهوبة ألي شيرلوك، واستكشاف الميزات الجديدة المثيرة في Final Cut Pro بنفسك • تسريع التعديل التالي باستخدام الأدلة المتضمنة في التطبيق حول كيفية إنشاء مكتبة جديدة واستيراد الوسائط وإضافة المقاطع إلى مخطط زمني جديد * مطلوب Mac مزود برقاقات Apple

الإصدار: 12.0

28 يناير

لا يتم جمع البيانات

لا يجمع المطور أي بيانات من هذا التطبيق.

قد تختلف ممارسات الخصوصية، على سبيل المثال، حسب الميزات التي تستخدمها أو حسب عمرك. معرفة المزيد

تسهيلات الاستخدام

معلومات

البائع
الحجم
الفئة
التوافق
اللغات
التصنيف العمري
حقوق النشر

الموقع الإلكتروني للمطور

سياسة الخصوصية

اتفاقية الترخيص

يدعم

المشاركة العائلية

بإمكان ستة أفراد من عائلتك بحد أقصى استخدام هذا التطبيق عند تمكين المشاركة العائلية.

يظهر في

تطوير الأداء

إنشاء عناوين احترافية لمقاطع الفيديو

أبدع في تصميم مقاطعك مع Pixelmator Pro وMotion.

Final Cut Pro

Professional post-production

التقييمات والمراجعات

ما الجديد

الإصدار: 12.0

خصوصية التطبيق

لا يتم جمع البيانات

تسهيلات الاستخدام

معلومات

يدعم

المشاركة العائلية

يظهر في

المزيد من Apple