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The Theatre Portal

Ancient Greece theatre in Taormina, Sicily, Italy

Theatre or theater is a collaborative form of performing art that uses live performers, usually actors, to present experiences of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance.

Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice Pavis defines theatricality, theatrical language, stage writing and the specificity of theatre as synonymous expressions that differentiate theatre from the other performing arts, literature and the arts in general. (Full article...)

Featured article

Yul Brynner and Gertrude Lawrence
The King and I is a musical by the team of composer Richard Rodgers and dramatist Oscar Hammerstein II. It is based on the 1944 novel Anna and the King of Siam by Margaret Landon, which derives from the memoirs of Anna Leonowens, governess to the children of King Mongkut of Siam in the early 1860s. The musical relates the experiences of Anna, a British schoolteacher hired as part of the King's drive to modernize his country. Their relationship is marked by conflict through much of the piece, and a love that neither can admit. Rodgers and Hammerstein wrote the musical for veteran star Gertrude Lawrence. Rex Harrison, who played the King in the 1946 movie of Landon's book, was unavailable, so Yul Brynner was chosen. The musical premiered in March 1951 at Broadway's St. James Theatre and ran nearly three years. It was an immediate hit, winning Tony Awards for Best Musical and for Best Actress and Best Featured Actor for Lawrence and Brynner (pictured). A hit London run and U.S. national tour followed, together with a 1956 film for which Brynner won an Academy Award. Professional and amateur revivals of The King and I are staged regularly throughout the English-speaking world.

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The Black Crook

John Barrymore
John Barrymore (1882–1942) was an American actor on stage, screen and radio. Born into a theatrical dynasty, he initially tried to avoid the stage, briefly attempting a career as an artist, but he soon followed his father Maurice and siblings Ethel and Lionel into acting. After beginning in light comedy, he moved to high stage drama, culminating in productions of Justice (1916), Richard III (1920), and especially Hamlet (1922), a role critics lavishly praised him for. After his stage career peaked, he turned entirely to cinema for the next 14 years, initially in silent films. His stage-trained voice proved an asset when sound films were introduced, and three of his works have been inducted into the National Film Registry. His personal life has been the subject of much attention before and since his death. He struggled with alcohol abuse from the age of 14, was married and divorced four times, and declared bankruptcy in his fifties. Much of his later work involved self-parody and the portrayal of drunken has-beens. A hugely influential actor whose talent still shapes Shakespearean acting today, his later career and private life were seen by the obituarists as a waste of a once-great talent.

Selected quote

James Thurber
The playwright of today likes to believe that he is throwing light upon his time, when his time is actually throwing light upon him.

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