Left film school thinking I knew everything there was to know about making movies.
What I actually had was just enough to get hired. First job out of school: PA on a holiday movie called Love at the Christmas Table. The real education started there, standing next to people who had spent their whole careers making things.
I remember watching the way the 2AD talked to each cast member differently when it was there time for set. She never told me this, but she showed me that it was her job to start the actor off in the right emotional state. Not with intention of making an impact, but rather leaving space when needed. Sometimes lending an ear when a complaint or concern arose, others filling in for an assistant to make sure enough Diet Coke was in one actors trailer.
She did what it took to ensure her 1AD was on time, and her Director's vision was supported.
A new filmmaker can look up almost anything now. Lens tests on YouTube. A coverage plan from an AI at midnight. I use these tools myself and they help.
But a video is a recording. A set is live. Anyone who came up through theatre knows what that difference is worth. The timing, the judgment, the way a veteran reads a room before touching a single piece of gear. None of it survives the upload.
That kind of transfer has an old name. Apprenticeship. On a film set, the apprentice is the PA. I know because I was one.
So if you run a set, remember who is watching. The PA wrangling cables behind you is the next generation of this business, standing close enough to learn.
Answer the question. Explain the choice you just made. Ten minutes between setups will outlast any tutorial.
The craft gets passed on the way it always has. In person.
#Filmmaking #IndependentFilm #Directing