Dana Harris

Dana Harris-Bridson

    Dana Harris-Bridson is the Senior Vice President and Editor in Chief at IndieWire. Since she joined the publication in 2011 as its Editor in Chief, IndieWire expanded its focus on independent film to include in-depth coverage of television, blockbusters, and the crafts that go into creating the best in film and TV. Under her 12 years of leadership, IndieWire readership increased by 10,000% and the publication has received multiple Webby Awards, Southern California Journalism Awards, and National Arts and Entertainment Journalism Awards.

    Dana began her entertainment journalism career in 1995 and attended her first Sundance Film Festival in 1996. Since then she has covered the world’s biggest film festivals and spent more than a decade as a writer, editor, and executive at Variety before joining IndieWire. She’s written about the real reason why Netflix’s Martin Scorsese movie “The Irishman” failed to win a single Oscar, the brilliance of HBO’s Italian TV crime drama “Gomorrah,” and the oral history of FX’s true-story Mormon murder mystery “Under the Banner of Heaven.” Dana still likes saying she used to be a chef (it was a long time ago) and she still loves to cook. Her favorite TV shows are “Fauda,” “Gommorah,” and “The Great British Baking Show.” The ending of “Aftersun” made her cry and she is helpless to resist any opportunity to watch “Michael Clayton” again.

    Latest by Dana Harris-Bridson
    Dave Franco, O'Shea Jackson Jr., Christin Milioti, Nicholas Braun and Macon Blair at the IndieWire Studio Presented by Dropbox at Sundance on January 23, 2026 in Park City, Utah. (Photo by Tiffany Burke/IndieWire via Getty Images)
    IndieWire Studio
    Director Macon Blair and his cast, which also includes Kiernan Shipka and O'Shea Jackson Jr., stopped by the IndieWire Studio, presented by Dropbox, to recall the long road to their new comedy.
    In Develpment logo
    In Development
    A thank you to this community, and a first look at what's next.
    'Hadestown' gave Bleecker Street the biggest opening weekend in its history.
    In Development
    A record $10.25 million debut shows what can happen when distributors actually pursue evidence of demand.
    The Reddit post that forced A24 to retract its "Backrooms" copyright claim.
    In Development
    Hollywood keeps searching for the next repeatable blockbuster formula, but its new model may depend on singular creators who aren't easily replicated or controlled.
    Attention Capital
    In Development
    Attention Capital founder Josh Stein explains why audiences are now a measurable asset class.
    The masses at VidCon 2026; Cannes Lions host Matthew Marsh; Inoxtag climbs Mount Everest.
    In Development
    Leverage indie film has never had to build, on display at the industry gatherings that are reshaping what counts as proof in Hollywood.
    Markiplier received a 2026 VidCon Hall of Fame Award at a ceremony inside the Anaheim Convention Center on Jun 26.
    Filmmaker Interview
    Fresh off the VidCon Hall of Fame, Markiplier tells IndieWire why audience loyalty can't be negotiated away and how he wants to hold the door open for everyone else.
    A24 logo with background
    In Development
    After years of guarding its creative process, A24 is giving Google DeepMind a seat at the table. The films aren’t the asset, but the workflow is.
    From left: "Obsession" director Curry Barker, "Backrooms" director Kane Parsons, and a still from the Issa Rae vertical production "Screen Time."
    In Development
    The real story behind “Backrooms” and Issa Rae's “Screen Time” is compression — the craft of concentrating audience attention into a window short enough to make something feel essential.
    Art House Convergence and Kinema logos
    Could we finally have a replicable process for direct filmmaker-to-exhibitor relationships after decades of conspicuous absence?
    Toonstar's 'StEvEn & Parker' channel has 3.4 million subscribers.
    The partnership gives brands new ways to fund digital-first animated franchises while offering creators a path to bigger budgets, broader distribution, and faster monetization.
    PMC
    All PMC and Vox publishing brands will now operate under new PMC subsidary PMX, overseen by former Vox Media president Ryan Pauley.
    Top of The Line Weekly
    A weekly digest that captures the best of our Top of the Line coverage.

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