‘The cultural landscape is decimated’: Louise Alder on stage fright, arts funding and the Last Night of the Proms
The great soprano will be the first British singer to top the bill at the Last Night in over a decade. So why does she advise her younger colleagues to leave the country?
Art and politics are not the same thing – but the Anna Netrebko case shows what happens when they collide
Martin Kettle
Proms 2025 review
Lady Macbeth of the Mtsensk District – semi-staged Shostakovich is vivid and claustrophobic
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Russian composer Rodion Shchedrin, known for Anna Karenina ballet, dies aged 92
‘It’s a symbol of hope and defiance for Ume Sámi and its speakers’: singer Katarina Barruk on her Proms debut
As Putin’s bombs fall on Ukraine, the Royal Opera House had a call to make about Anna Netrebko. It made the wrong one
Martin Kettle
Proms 2025 review
Royal Concertgebouw/Mäkelä – Proms showcase legendary orchestra and its star signing