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Peter Bradshaw
Peter Bradshaw is the Guardian's film critic
August 2026
Farewell, Dr Frank-N-Furter: why Tim Curry’s Rocky Horror Show will go on
Peter Bradshaw
De Gaulle: Résistance review – a galloping bromance for Churchill and France’s wartime hero
Spa Weekend review – female answer to The Hangover spreads the slush with the massage oil
Coyote Vs Acme review – quirky comedy returns from the dead to flip Wile E Coyote’s slapstick-violent world
A Rimbaud review – legendary poet’s unlikely transformation into entrepreneur is as odd as ever
Mission review – dangerous quest to mend a broken childhood
Borges and Me review – a sweetly imagined literary odyssey through the Highlands
Snapshot review – fun found-footage scarer follows amateur Ripper hunters in the 1880s
Out There review – saucer-eyed teen searches for aliens in YA comedy drama
These Violent Delights review – Scottish Ballet’s feverish Romeo and Juliet is bold and unsettling
Borges, ballet and BDSM: 10 must-see movies at Edinburgh international film festival
The End of Tom Six review – Human Centipede director delivers one last freaky flick
Don’t Say Good Luck review – high-school musical weepie puts Sunny Sandler in the spotlight
The End of Oak Street review – suburban dino-survival romp is more turkey than T-rex
Steal This Story, Please! review – Amy Goodman, stalwart of the American left, shows her teeth
I Rarely Wake Up Dreaming review – brilliant bulletin from Ukrainian frontline dives deep into culture war
Practical Magic review – Nicole Kidman and Sandra Bullock’s 90s witchy fantasy still enchants
Hunt for the Wilderpeople review – Sam Neill is warm and wise in Taika Waititi’s goofily tremendous film
Nadja review – Dracula’s daughter is divine in dreamy lo-fi modern vampire tale of predatory sexuality
Love Me Tender review – Vicky Krieps custody-battle drama is intelligent, sensual and bitter slice of life
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